2010

Timothy Hutchings, Long Beach Museum of Art, Los Angeles

2009

Timothy Hutchings Ain't Here, Center for Creative Arts, St. Louis

Timothy Hutchings, Monmouth University, New Jersey

A Greasy Ship, The Newhouse Center for Contemporary Art, Staten Island, New York

Awash in a Sea of Blood and Ice, Center for Contemporary Art, St. Louis

2008

Formal Issues and Not, Sydney College of Art, Sydney, Australia

The Celestial Spheres, I-20 Gallery, New York

Timothy Hutchings, Vienna Kunsthalle (Kunsthalle Wien), Austria

2007

The World's Largest Wargaming Table, I-20 Gallery, New York

Game Theory, applied and Not, Triton Gallery, Nicosia Cyprus

Timothy Hutchings, Viennafair, ZONE1, Austria

Timothy Hutchings, The Soap Factory, Minneapolis, Minnesota

2006

The World's Largest Wargaming Table, Real Art Ways, Hartford, Connecticut

Object and Non-Object, Karl Drerup Gallery, Plymouth, New Hampshire

2005

Sea Fight!The Map Room, Portland, Maine

2004

A Lark in the Larkin, I-20 Gallery, Loop’04, Barcelona, Spain

The Captain Hates the Sea, I-20 Gallery, New York

Timothy Hutchings: Project Room, Bodybuilder and Sportsman Gallery, Chicago

2003

Arm in Arm in Arm in Arm, I-20 Gallery, New York

2002

Go West, The Bonsack Gallery, St. Louis, Missouri

2001

The Arsenal at Danzig and Other Views, I-20 Gallery, New York

2000

Slapstick, Cranbrook Academy of Art, Bloomfield Hills, Michigan

GROUP EXHIBITIONS

2009

Camera/Chimera, Gallery Affero, Newark, New Jersery

Best of New York, II, Broadway Gallery, New York City

Chimera Ximaipa, Arcade Experimental Art Project, Nicosia, Cyprus and Envoy Gallery, New York City

Recess, Crossing Art, Queens, New York

Single Channels, Tony Wight Gallery, Chicago

First Terminal Short Video Festival, Austin Peary State University, Tennessee

Next Level: Game Spaces Beyond the Screen, FACT, Liverpool, United Kingdon

2008

Loophole to the Universe, curated by Ivan Vosecky, Divus Unit 30, London, UK

DA2, Contemporary Museum of Art, Salamanca, Spain

locate | navigate - exercises in mapping, Charlotte Street Foundation, Kansas City, Missouri

Fakes, Redsaw Art Gallery, Newark, New Jersey

Trunk Selects, Fargfabriken, Stockholm, Sweden; Rom fur Kunst og Arkitektur, Oslo, Norway; Sundsvall Kulturmagasin, Sundsvall, Sweden; and Kramfors Cinema, Kramfors, Sweden

Accidental/Coincidental, Newhouse Center for Contemporary Art, New York

2007

Newark Artists Salute Crane, Newark Arts Council, Newark, New Jersey

Crash, Pause, Rewind, Missoula Art Museum, Missoula, Montana

25 Years Later, Art in General, UBS Art Gallery, New York

FOR SALE, Espacio Liquido, Gijon, Spain

L.I.C., Socrates Sculpture Park, Queens, New York

Urban Spaces, curated by Susanneh Bieber and Kurt Gross, Fresno Metropolitan

Museum, Fresno, California

Range, curated by Kristi Lippire, D.E.N. Contemporary, Culver City, California

Video and Photography from Western Bridge, Washington State University, Seattle, Washington

Common Ground, Westchester College Fine Arts Gallery, New York

A Century of Collage, Elizabeth Leach Gallery, Portland, Oregon

The Big Nothing Basekamp, Institute of Contemporary Art, Philadelphia, Pennsylvania

Abrasions, Architecture, and Accident, Southern Illinois University, Carbondale, Illinois and Studio 27, San Francisco, California

Impure Cinema: Hybrid Works Rupturing Media Boundaries, Studio 27, San Francisco, California

Trunk/The Nordic Video Art Festival, A-stersund, Norway

Red Badge of Courage, curated by Omar Lopez-Chahoud, Newark Arts Council, Newark, New Jersey

2006

Video Lounge: Highlights from the Sagamore Video Collection, The Sagamore Hotel, Miami, Florida

Summer Selections, Art Omi International Sculpture Park, Omi, New York

Abrasions: Architecture and Accident, Studio 27, San Francisco, California

12th Biennial Print and Drawing Exhibition, National Taiwan Museum of Fine Art, Taiwan

VII Salon y Coloquio Internaticional de Arte Digital, Havana, Cuba

Blame it on Rio, White Box, New York

[20mb], MASSart, Austin, Texas

Small Group Format, Truman State University, Kirskville, Missouri

Swingspace Open House, Lower Manhattan Cultural Council, New York

realpARTy, Real Art Ways, Hartford, Connecticut

I Love Exit Art, Exit Art, New York

2005

Art Video Lounge: Videotheque, Art Basel Miami Beach, Miami, Florida

Crash, Pause, Rewind, Western Bridge, Seattle, Washington

New Labor; Neutral Capital, Columbia University, New York

Sea Fight!, The Map Room, Portland, Maine

Ars Digital 2004: I click, Therefore I am, curated by Joulia Strauss, The 1st Moscow

Biennial, Russia

Baroques and Neo-Baroques: Hell of the Beautiful, Centro de Arte de Salamanca, Spain

Art in the Age of New Technologies, curated by Eva Khachatrian, Armenian Center for Contemporary Experimental Art, Yerevan, Armenia

The Kids Have ADD, curated by Birgit Rathborn, Wizard Electroland, Brooklyn, New York

Jianghu 3: An Exhibition of Experimental and Documentary Video Art, Kunming, China

2004

Cicle de Video Focus: Desde Los Anos Setenta Hasta El Ano 2002, Museo de Arte Contemporaneo, Patio Herreriano, Barcelona

SuperSalon, Samson Projects, Boston, Massachusetts

The Iowa Biennial of Contemporary Miniature Prints, University of Iowa and the Soros Gallery, Stockholm School of Economics, Riga, Latvia

Videodrome II, Bates Museum of Art, Lewiston, Maine and the Santa Barbara Contemporary Arts Forum, Santa Barbara, California

2003

Espacios a la Experimentacion, El Museo de Arte y Diseno Contemporaneo, San Jose, Costa Rica

Art for Life 2003, Estate of Russell Simmons, Easthampton, New York

VideoEx, Zurich, Switzerland

Solon y Coloquio Internacional de Arte Digital, Havana, Cuba

Collection of the Associazione Artissima, Turin, Italy. Centro Reina Sofia, Madrid, Spain.

Curated by Elena Volpato

The Pretendlings, New Langton Arts, San Francisco. Curated by James Bewley

Dancing in the Dark, Part I, Aljira Center for Contemporary Art, Newark

Not Myself, New Langton Arts, San Francisco, California

Warning/Happenings, a conceptual concert by David T. Little, Stretansky Hall, Susquehanna University, Pennsylvania

2002

Seeing by Wireless, Hastings Museum and Gallery, Hastings, United Kingdom

Videodrome II, New Museum of Contemporary Art, New York.

For Real. Wood Street Galleries, Pittsburgh, Pennsylvania

Self-Portraits From the Bill and Ruth True Collection, The Wright Exhibition Space,

Portland, Oregon

Ramallah Video Festival, Ramallah, Palestine. Curated by Emily Jacir.

Metropolis Now, Centro Reina Sofia, Madrid, Spain

SUBMERGE, curated by Eva Scharrer, Kunstebunker Forum for Zeitgenssische Kunst,

Nornberg, Germany

Faux Real, Borusan Cultural Center, Istanbul, Turkey. Curated by Elga Wimmer.

Friends and Relatives, Lombard Fried Gallery, New York

Hash Brown Potatoes, Smack Mellon Gallery, Brooklyn, New York

PLAYGROUND. The Standard Projection: 247, The Standard, West Hollywood, California

Curated by Yvonne Force and Loren Mindak

Cutting Edge, ARCO, Madrid, Spain

2001

B Hotel, P.S.1/MoMA Contemporary Art Center, Long Island City, New York

HaHa Hah, Quotidian Gallery, San Francisco, California

La Perruque, OfficeSpace Gallery, San Francisco, California

Another Day on Planet Earth, DeChiara Stewart Gallery, New York

2000

Greater New York, P.S.1/MoMA Contemporary Art Center, Long Island City, New York

Sidelong Glance, Im N iL Gallery, Brooklyn, New York

1999

Persuasion, Lombard-Freid Fine Arts, New York

Keep Fit, Be Happy, DeChiara Stewart Gallery, New York

Parking, MayDayProductions, Highbridge Park, New York

1998

Some Young New Yorkers, Part II, P.S.1/MoMA Contemporary Art Center, Long Island City, New York

Dissin' the Real, Galerie Krinzinger, Vienna Austria

Ground Control, Lombard-Freid Fine Arts, New York

Head Stand, Elga Wimmer Gallery, New York

Selected Video, DNA Gallery, Provincetown, Massachusetts

Skowhegan Benefit, David Beitzel Gallery, New York

SELECTED BIBLIOGRAPHY

2010

Pasquini, Stefano. Timothy Hutchings, Sport and Street, (Spring 2010), pg 8

2007

Boucher, Brian. Timothy Hutchings at I-20, Art in America, (November 2007), pp 209-210 (ill)

O'Brien, John. Range, ArtScene, (January 2007) p 42 (ill)

Schneider, Kerry. The Arts Administrator's Sketchbook, Chicago: Green Lantern Press

Villarreal, Ignacio. Video and Photography at Western Bridge, ArtDaily.org (January 23, 2007)

2006

Ackerman, Ruthie. Low-Tech Art in a High-Tech Era, Hartford Courant (May 22, 2006)

Amidon, Catherine. Timothy Hutchings: A Player's Game, Real Art Ways

Hepler, Anna. Three Collaborations, Map Room Gallery

Miller, Lauren. Artists Draw Attention, Truman State University Index (January 26, 2006)

Premnath, Rit. Ruin/Monument, Shifter Magazine, (October 2006) pp 85-86, 92

2005

Hackett, Regina. Western Bridge's Crash, Pause, Rewind (October 21, 2005)

Paige, Ian. Let's Fight! Thrills of the High Seas at the Map Room, The Portland Phoenix (October 21-27, 2005)

Finch, Charlie. The Museum Comes to Us: Art in 2050, Artnet.com, February 3, 2005

Macu, Moran. Loop ’04 Barcelona, Artnet.com, January 6, 2005

Peters, Sue. Culture Clash, Seattle Weekly (December 14, 2005)

2004

Levin, Kim. Voice Choices, The Village Voice, November 10-16, 2004

Camper, Fred, Timothy Hutchings… Chicago Reader, January 30, 2004

Chicago Reader, January 16, 2004 (ill.)

Zoltak, Benjamin, New Work From Don Doe and Timothy Hutchings, Red Streak, February 12, 2004

2003

Wilson, Michael. Review. Tim Hutchings I-20 Gallery, Artforum (October, 2003)

Sasaki, Mina. Review. Vis A Vision Television, Tokyo, Japan (July, 2003)

Levin, Kim. Voice Choices, The Village Voice, (May 14-20, 2003)

Timothy Hutchings at I-20 Gallery, www.artnet.com (May 16, 2003)

2002

Thomas, Mary. Art Review: Artists make their own reality in digital realism, Pittsburgh Post-Gazette. http://www.pittsburghpost-gazette.com/ae/20021207thomas1207fnp6.asp

Hoffman, Leslie. Skewed Perspectives. Pittsburgh Pulp http://www.pittsburghpulp.com/content/2002/11_28/arts_art.shtml">http://www.pittsburghpulp.com/content/2002/11_28/arts_art.shtml

Wimmer, Elga. Arkitera, (October, 2002)

Cotter, Holland. Review. Hash Brown Potatoes at Smack Mellon Gallery, Brooklyn New York Times (July 12, 2002)

Beccaria, Marcella. The Arsenal at Danzig and Other Views, ARCO Magazine (April 2002)

Urban, Regina. New York im untergrund, Nurnburger Nachrichten, (April 11, 2002) Germany

Mooney, Chris. Lost Buildings and Renewed Vision. A Mediation on Destruction in Video, Sculpture and Music, NY Arts (February, 2002): 65; http://www.nyartsmagazine.com/">www.nyartsmagazine.com

Gioni, Massimiliano. New York Cut Up: Art Fragments from the Big Apple, Flash Art (January-February, 2002): 61-64

Fink, Courtney. Sneaking Time, www.stretcher.org (February, 2002)

Hackett, Regina, Artists Play with Images to Close the Gap Between Life and Art, Seattle Post-Intelligencer (July 4, 2002)

2001

Spalding, David. ‘La Perruque’ at the office/gallery, Artweek (December, 2001 – January, 2001): 15-16

Fels, Sophie. New York Critics’ Picks: Timothy Hutchings, http://www.artforum.com (December, 2001)

Giuliano, Charles. The Pulse, NY Arts (December, 2001): 24

Johnson, Ken. Art Guide: Timothy Hutchings, New York Times (November 30, 2001)

Levin, Kim. Voice Choices, The Village Voice (November 27, 2001)

Levin, Kim. Voice Choices: Artists Haunted by History, The Village Voice (November 27, 2001)

Fink, Cortney. Sneaking Time. Review of La perruque (the wig), at the office/gallery, San Francisco, http://www.stretcher.org (Fall 2001)

1999

Henry, Max. At the Galleries: Keep Fit Be Happy Flash Art (October, 1999): 57 (Illus.)

Keep Fit Be Happy, New York Contemporary Art Report (July, 1999) (illu.)

1998

Rockwell, S. Headstand, dArt International (Fall, 1998) (illus.)

Adamson, Glenn. Timothy Hutchings NYArts (March, 1998): 32 (Illus.)

Smith, Roberta. Review:Headstand New York Times (August 4, 1998)

Aigner, Claudia von.Gulliver Complex and Mr. Sandman Wiener Zeitung,(June 6, 1998) (Vienna, Austria)

Bronner, Oscar. Von Endorophinen, Salzgurken, und Stromstossen Der Standard, (June 5, 1998) (Vienna, Austria)

Hofleitner, Johnna von. Krinzinger...Dissin the Real, Die Presse, (June 5, 1998) (Vienna, Austria)

Saustep, K. Minimalsport mit Erwin Wurm und vieles mehr Kurrier,(June 6, 1998) (Vienna, Austria)

Heiss, Alana. Greater New York NY Arts (March, 1998) Levin, K. Headstand Recommended Village Voice (March, 1998)

Levin, K.Dissin’ the Real Recommended, Village Voice (March, 1998)

Dissin the Real Time Out New York (March, 1998) (illus.)

GROUP EXHIBITION CATALOGUES

Dancing in the Dark, Part I, Aljira Center for Contemporary Art, Newark 2003

Videodrome II, New Museum of Contemporary Art, New York. 2002

SUBMERGE, Kunstebunker Forum Zeitgenssische Kunst, Curated by Eva Scharrer. Nurnberg, Germany.

Faux Real. Curated by Elga Wimmer. Borusan Cultural Center, Istanbul, Turkey.

Greater New York, P.S.1/MoMA Contemporary Art Center, Long Island City, NY

RESIDENCIES

2009

Teaching Residency, Center for Creative Arts, St. Louis

2007

Visiting Artist, University of Illinois

2002

Aljirah Emerge 2002 Program Candidate

The Atlantic Center for the Arts, New Smyrna Beach, Florida

2000

Civatella Ranieri Fellow, Sponsored by William Kentridge and The Atlantic Center for the Arts, New Smyrna Beach, Florida

1996

Skowhegan Fellow

The Cursed Chateau, The Indianapolis Museum of Contemporary Art, Indiana

2005

Lower Manhattan Cultural Council Swing Space Grant

2002

New York Foundation for the Arts Fellowship

1998