 Martin Creed
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MARTIN CREED Born 1968, Wakefield, England Slade School of Art in London Lives and works in London and Alicudi, Italy SOLO EXHIBITIONS AND PROJECTS 2007 Feelings, Hessel Museum of Art and CCS Galleries, Bard College, Annandale-on-Hudson, New York The Douglas Hyde Gallery, Trinity College, Dublin, Ireland Small Things, 508 West 25th Street, New York Hauser & Wirth Coppermill, London, UK 2006 SICK FILM, Curzon Mayfair, London, UK Michael Lett Gallery, Auckland, New Zealand Big Dogs MC, Los Angeles The Wrong Gallery @ Tate Modern, London, UK Fondazione Nicola Trussardi, Milan, Italy Work No. 547, Johnen Galerie, Berlin, Germany The Lights Off, Haubrokshows, private apartment, Berlin, Germany Hauser & Wirth, Zürich, Switzerland 2005 The lights going on and off, Comptoir du Nylon, Brussels, Belgium Graves Art Gallery, Sheffield, UK Van Abbe Museum, Eindhoven, Netherlands Ikon Gallery, Birmingham, UK Lachen, Saint Peter's Church, Cologne, Germany The lights off, ACCA, Melbourne, Australia (cat.) Galerie Rüdiger Schöttle, Munich, Germany Gavin Brown's enterprise, New York 2004 Work No. 360, Johnen Galerie, Berlin, Germany Hauser & Wirth, London, UK TWG @ CCA (curated by Maurizio Cattelan), Centre for Contemporary Art, Kitakyushu, Japan Work No. 330, Galerie Emmanuel Perrotin, Paris, France Centre for Contemporary Art, curated by Pawel Polit, Ujazdowski Castle, Warsaw, Poland (cat.) 2003 Martin Creed (curated by Bernhard Fibicher), Kunsthalle Bern, Bern, Switzerland (cat.) Beaucoup de Bruit pour Rien (curated by Emmanuel Lattreille), Frac Languedoc-Roussillon, Montpellier, France Work No. 300, GBE (Modern), New York Work No. 289, curated by Cristiana Perrella, The British School at Rome, Italy SMALL THINGS, Galerie Analix Forever, Geneva, Switzerland 2002 A large piece of furniture partially obstructing a door, Alberto Peola Arte Contemporanea, Turin, Italy The Wrong Gallery, New York 2001 The lights off, Galerie Johnen & Schöttle, Cologne, Germany Hamilton Art Gallery, Hamilton, Canada (cat.) Work No. 265 (curated by Paolo Falcone), Micromuseum for Contemporary Art, Palermo, Italy Galerie Rüdiger Schöttle, Munich, Germany 2000 Work No. 252, Saint Peter's Church, Cologne, Germany Arte all 'Arte (curated by Gilda Williams and Roberto Pinto), Arte Continua, San Gimignano, Italy (cat.) Art Now: Martin Creed, Tate Britain, London, UK The Lights Going On And Off, Gavin Brown's Enterprise, New York MARTINCREEDWORK (curated by Godfrey Worsdale), Southampton City Art Gallery, Southampton (and toured to Leeds City Art Gallery, Leeds and Bluecoat Gallery, Liverpool), UK (cat.) Work No. 225 (commissioned by Public Art Fund), Times Square / 42nd St, New York 1999 Mark Foxx Gallery, Los Angeles Art Metropole, Toronto, Canada Galerie Praz-Delavallade, Paris, France Cabinet, London, UK Work No. 203 (curated by Ingrid Swenson), The Portico, London, UK Work No. 160 (curated by Matthew Higgs) Space 1999, London, UK Alberto Peola Arte Contemporanea, Turin, Italy 1998 Galerie Analix B & L Polla, Geneva, Switzerland 1997 Galleria Paolo Vitolo, Milan, Italy Victoria Miro Gallery, London, UK The British School at Rome, Italy 1995 Galerie Analix B & L Polla, Geneva, Switzerland Galleria Paolo Vitolo, Milan, Italy Camden Arts Centre, London, UK Javier Lopez Gallery, London, UK 1994 Part 3 of Weekenders (curated by Matthew Higgs), Cubitt Gallery, London, UK Marc Jancou Gallery, London, UK 1993 Work No. 78, Starkmann Limited, London, UK SELECTED PERFORMANCES 2007 Concert 28 July, Hauser & Wirth Coppermill, London, England Performance 4'33'', 20 July , 8pm, Magazin 4, Bregenzer Kunstverein, Bregenz, Austria Concert 7 July, SummerScape 2007 Spiegeltent, Bard College, NY, USA Concert 11 May, Goldsmiths Student's Union, Dixon Road, New Cross, London, England Concert 10 May, Nog Gallery, 182 Brick Lane, London, England Variety Performance 31 March, Harry De Jur Playhouse, Abrons Arts Centre, 466 Grand Street, New York, USA Performance 10 March, The New Atheneum Theatre, RSAMD, 100 Renfrew Street, Glasgow, Scotland 2006 Performance 9 December, Hawthornden Lecture Theatre, National Gallery of Scotland, England Variety Performance 25 November, Tate Modern, London, England Performance 12 November, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York, USA Talk 6 November, Tate Modern, London, England Concert 4 October, Rising Sun Auckland, New Zealand Talk 13 September, Hayward Gallery, London, England Concert 8 September, 'Mr Motley Feest', Studio 80, Rembrandtplein 17, Amsterdam, Netherlands Talk 24 May, L'espresso Video Interview of 'I Like Things', Fondazione Nicola Trussardi, Milano, Italy Concert 16 May, Fondazione Nicola Trussardi, Milano, Italy Performance 2 May, ICA Beck's Futures award, Judges speech ICA, London, England Concert 7 April, Fondazione Spinola Banna Per l'Arte, Poirino, Torino, Italy Talk 6 Feburary, Chelsea School Of Art, London, England 2005 Ding Dong Lounge. Melbourne, Australia Schirn Kunsthalle, Frankfurt, Germany SILWEX, London, England Supersonic Festival, Birmingham, England Rhythm Factory, London, England Kunsthalle, Basel, Switzerland Bulgari Pavilion, Basel, Switzerland Gavin Brown's enterprise, New York, USA 2004 Paul Hughes Party, London, England Tate Britain, London, England ICA, London, England Serpentine Gallery, London, England 2003 Freunde Guter Musik, Berlin, Germany 2002 CCAC, San Francisco, USA 2001 Hamilton Art Gallery, Canada Gavin Brown's enterprise, New York, USA Programma, Mexico City, Mexico 1999 The Scala, London, England Passerby Stop, New York, USA Art Metropole, Toronto, Canada London Guildhall University, London, England ICA (organized by Matthew Higgs), London, England Centre Régional d'art Contemporain, Sète, France 1998 Club Beige & Sneakers, BüroFriedrich, Berlin, Germany College of Fine Arts, Sydney, Australia Roslyn Oxley Gallery, Sydney, Australia Museum of Contemporary Art (part of every day, 11th Biennale of Sydney), Sydney, Australia Dimensions Variable, Kunstsammlungen Chemnitz, Germany (organized by The British Council) Flex, Vienna (part of the exhibition Crossings, Kunsthalle Vienna), Austria Konstakademien, Stockholm (part of Dimensions Variable organized by The British Council), Sweden 1997 Club 414, London (organized by Cabinet Gallery), England The Red Eye, London, England Waves In/ Particles Out (organized by Toby Webster), CCA, Glasgow, Scotland ICA, London, England Bring Your Own Walkman (organized by Jack Jaeger), W139, Amsterdam, Netherlands Liste 97 (organized by Cabinet Gallery), Basel, Switzerland Museum of Installation, London, ENgland Warwick Arts Centre, England Snowflakes Falling on the International Date Line (organized by David Lillington), CASCO, Utrecht, Netherlands 1996 Gavin Brown's enterprise, New York, USA Chelsea School of Art, London, England 1995 Jibby's Christmas Party, Hanover Grand, London, England Kunstlerpop, Manchester, England Camden Arts Centre, London, England 1994 Ding Dong Twist Club, London, England SELECTED GROUP EXHIBITIONS 2007 SHALLOW (curated by Stefan Brüggemann), I-20 Gallery, New York Ensemble (curated by Christian Marclay), ICA | University of Pennsylvania, Philadelphia, Pennsylvania The Future of Futurism, Galleria d'Arte Moderna e Contemporanea, Bergamo, Italy The Turner Prize: A Retrospective, Tate Britain, London, UK The Lath Picture Show, Friedrich Petzel Gallery, New York Lines, Grids, Stains, Words, The Museum of Modern Art, New York Mouth Open, Teeth Showing: Major Works from the True Collection, The Henry Art Gallery, University of Washington, Seattle, Washington SILENCE: Listen to the Show, Fondazione Sandretto Re Rebaudengo, Torino, Italy How to Improve the World, Gas Hall, Birmingham, UK Hot for Teacher, Nog, 182 Brick Lane, London, UK Maximiminalist, Inova, Peck School of the Arts, Milwaukee, Wisconsin Villa Arson Nice, Nice, France Critical Mass, Kunsthalle Bern Foundation, Bern, Switzerland Disforie 007, Palafukas, Torino, Italy DOGS, Sorry We're Closed, Brussels, Belgium The Invisible show, Centro Jose Guerrero, Granada, Spain 2006 Wrestle, Hessel Museum of Art, Bard Centre for Curatorial Studies, Annandale-on-Hudson, New York (cat.) How to Improve the World, Hayward Gallery, London, UK (cat.) Into Me/ Out of Me, PS1, New York, (cat.) Of Mice and Men: 4th Berlin Biennial for Contemporary Art, Berlin, Germany (cat.) Reality, Odense 10'55, Kunsthallen Brandts, Odense, Denmark (cat.) Joy, Casino Luxembourg - Forum d'art Contemporain, Luxembourg [cat.] Big Bang: Destruction and Creation in 20th Century Art, Centre Pompidou, Paris, France (cat.) Off the Wall, Scottish National Gallery of Modern Art, Edinburgh, Scotland SCAPE, 2006 Biennial of Art in Public Space, Christchurch Art Gallery Te Puna o Waiwhetu, Christchurch, New Zealand Out of Place, The New Art Gallery, Walsall, UK I: Act Two, Secession, Vienna, Austria Word, Deborah Colton Gallery, Houston, Texas Concrete Language, Contemporary Art Gallery, Vancouver, Canada As If By Magic, Bethlehem Peace Centre, Bethlehem, Palestine Out of Time: A Contemporary View, Museum of Modern Art, New York Surprise Surprise, ICA, London, UK Coincidence, Gallery Vianuova Arte Contemporanea, Florence, Italy Yes Bruce Nauman, Zwirner & Wirth, New York Other Rooms, Other Voices, The Israel Museum, Jerusalem, Israel I: Act One, Futura, Prague, Czech Republic The Summer Show, The Royal Academy, London, UK Good Vibrations, Palazzo delle Papesse, Siena, Italy Draw a straight line and follow it, Centre for Curatorial Studies, Bard College, New York Disposition, Galerie Feichtner, Vienna, Austria Strange I've Seen that Face Before, Museum Abteiberg, Mönchengladbach, Germany Crème Anglaise, LAAC, Dunkirk, France Freeplay, Ha Gamle Prestegard, Stavanger, Norway The Sublime is Now, Franz Gertsch Museum, Burgdorf, Switzerland Infinity etc., Mercer Union, Toronto, Canada Haubrokshows: Sounds of Silence, Galerie Gisela Capitain, Berlin, Germany 2005 The Art of White, The Lowry, Salford, UK (cat.) Extra Ordinary, Kulturhuset, Stockholm, Sweden (cat.) Expérience de la Durée (curated by Nicolas Bourriaud and Jérôme Sans), Biennale d’Art Contemporain, Lyon, France (cat.) Monuments for the U.S.A. (curated by Ralph Rugoff), CCA Wattis Institute for Contemporary Arts, San Francisco, California (cat.) Size Matters: Exploring Scale in the Arts Council Collection, Longside Gallery, Yorkshire (and touring), UK (cat.) Light Art from Artificial Light, Zentrum Für Kunst und Medientechnologie, Karlsruhe, Germany Ambiance — Des Deux Côtes du Rhin, K20 Kunstsammlung, Düsseldorf, Germany L'humanité mise à nu et l'art en frac, même, Casino Luxembourg Forum d'Art Contemporain, Luxembourg Fragile, Analix Forever, Geneva, Switzerland Encore, Büyük Londra Oteli, Istanbul, Turkey General Ideas — Rethinking Conceptual Art 1987-2005, CCA Wattis Institute for Contemporary Art, San Francisco, California Drunk vs. Stoned 2, Gavin Brown’s enterprise, New York Narrow Focus, curated by Vít Havránek, Tranzit, Bratislava, Slovakia Reimagine: Oeuvres du Fonds National d’Art Contemporain, Musée d’Art Contemporain, Lyon, France Popisme, Episode IV, curated by Frank Lamy, Ecole des Beaux-Arts, Tours, France Feeling strangely fine, Galeria Estrany, Barcelona, Spain 2004 Sur la Terre Comme au Ciel, Espace Paul Riquet, Béziers, France Art News, Three Colts Gallery, London, UK None of the Above (curated by John Armleder), Swiss Institute, New York Artist's Favourites: Act II, ICA, London, UK Artist's Favourites: Act I, ICA, London, UK Strategies of Desire (curated by Sabine Schaschl-Cooper), Kunsthaus Basseland, Basel, Switzerland (cat.) Art & Architettura, 1900-2000, Museo d'Arte Contemporanea di Villa Croce, Genova, Italy State of Play (curated by Rochelle Steiner), Serpentine Gallery, London, UK (cat.) Live (curated by Nicolas Bourriaud and Jérôme Sans), Palais de Tokyo, Paris, France (cat.) Russian Doll, MOT, London, UK Bad Behaviour: from the Arts Council Collection, Longside Gallery, Yorkshire (and touring), UK (cat.) Genesis Sculpture, Experience Pommery #1, Domaine Pommery, Reims, France (cat.) Café in Mito, Art Tower Mito, Mito, Japan Optimo: Manifestations of Optimistm in Contemporary Art, Ballroom Marfa, USA From Moore to Hirst: Sixty Years of British Sculpture, National Museum of Art, Bucharest, Romania 2003 Adorno, Kunstverein, Franfurt, Germany Skulptur 03, Galerie Thaddaeus Ropac, Salzburg, Austria Soundsystem, Kunstverein, Salzburg, Austria Johnen & Schöttle, Cologne, Germany Shine, Museum Boijmans Van Beuningen, Rotterdam, Netherlands Thatcher, The Blue Gallery, London, UK 2002 The Young And The Hung, Galerie Thaddaeus Ropac, Salzburg, Austria No Return, Collection Haubrok, Mönchengladbach, Germany (cat.) Rock My World: Recent Art And The Memory Of Rock'n Roll (curated by Ralph Rugoff), CCAC, San Francisco, California (cat.) Through a Sequence of Space, Galerie Nordenhake, Berlin, Germany Galerie Johnen & Schöttle, Cologne, Germany To Actuality (curated by Maia Damianovic), AR/GE Kunst Galerie Museum, Bozen, Italy Strike, Wolverhampton Art Gallery, Wolverhampton, UK ON/OFF, Vista Mare associazione culturale, Pescara, Italy My Head is on Fire but my Heart is Full of Love, Charlottenborg, Copenhagen, Denmark Tempo, The Museum of Modern Art, New York 2001 Turner Prize 2001, Tate Britain, London, UK Nothing in the Main Hall, Rooseum Center for Contemporary Art, Malmö, Sweden Nothing, CAC Contemporary Art Centre, Vilnius, Lithuania Works on Paper, Victoria Miro Gallery, London, UK Rooseum Provisorium, Rooseum Center for Contemporary Art, Malmö, Sweden Space-Jack! (curated by Yukie Kamiya), Yokohama Museum, Yokohama, Japan (cat.) White Light/White Noise (curated by Jimena Martin), Mexico City, Mexico Art/Music: Rock, Pop, Techno (curated by Sue Cramer), Museum of Contemporary Art, Sydney, Australia Makeshift (curated by David Green), Brighton University Art Gallery, Brighton, UK Under Pressure, Museum of Contemporary Art, Tuscon, and Swiss Institute, New York 2000 Protest And Survive, (curated by Matthew Higgs and Paul Noble), Whitechapel Art Gallery, London, UK (cat.) A casa di… (curated by Giacinto di Pietrantonio) Fondazione Pistoletto, Biella, Italy Intelligence: New British Art 2000 (curated by Charles Esche and Virginia Button), Tate Britain, London, UK (cat.) ...sabotage... (curated by Sabine Schaschl), Shed im Eisenwerk, Frauenfeld, Switzerland (cat.) Collector's Choice, Exit Art, New York The British Art Show 5 (curated by Pippa Coles, Matthew Higgs and Jacqui Poncelet), Edinburgh (and touring), UK (cat.) DON'T WORRY (curated by Tamsin Dillon), Chelsea & Westminster Hospital, London, UK (cat.) The Invisible Touch (curated by Maia Damianovic), Kunstraum Innsbruck, Innsbruck, Austria Proper (Vilnius Date), CAC Contemporary Art Centre, Vilnius, Lithuania The Invisible Touch, Kunstraum Innsbruck, Innsbruck, Austria Perfidy: Surviving Modernism, La Tourette, Eveux-sur-Arbresle, and Kettle's Yard, Cambridge, UK 1999 Limit Less / Aktuelle Britische Kunst (curated by Matthew Higgs), Galerie Krinzinger, Vienna, Austria 54 x 54 x 54, Museum of Contemporary Art, London, UK Dimensions Variable — Contemporary British Art, CAC Contemporary Art Centre, Vilnius, Lithuania Porcupines / Arthinking (curated by Graham Higgin), 291 Gallery, London, UK Searchlight: Consciousness at the Millenium (curated by Lawrence Rinder), California College of Arts & Crafts, San Francisco, California (cat.) Getting the Corners (curated by Matthew Higgs), Or Gallery, Vancouver, Canada nerve (curated by Nerve Systems), ICA, London, UK Anthony Wilkinson Gallery, London, UK SERENDIPITY (curated by Giacinto Di Pietrantonio), Watou, Belgium (cat.) Ainsi de suite 3 (deuxième partie) (curated by Sabine Schaschl), Centre Régional d'art contemporain, Sète, France 1998 Lovecraft (curated by Martin McGeown & Toby Webster), Spacex Gallery, Exeter, UK Imitating Christmas (curated by Jens Hoffmann), Wiensowski & Harbord, Berlin, Germany every day (curated by Jonathan Watkins), 11th Biennale of Sydney, Sydney, Australia (cat.) Proper: Blind Date 1 (curated by Paula Toppila), Titanik, Turku, Finland (cat.) Speed (curated by Jeremy Millar), Whitechapel Art Gallery, London, UK (cat.) Crossings (curated by Cathrin Pichler), Kunsthalle Vienna, Austria (cat.) Camouflage 2000 (curated by Robert Garnett), Galerie Praz Delavallade, Paris, France Lovecraft (curated by Martin McGeown & Toby Webster), South London Gallery, London, UK Not Today, Gavin Brown's enterprise, New York Sunday (curated by Matthew Higgs), Cabinet Gallery, London, UK Not Nothing, Todd Gallery, London, UK Delfina (curated by David Gilmore), London, UK An Idea of Art/Art and Life, Galleria Paolo Vitolo, Milan, Italy Crossings: Kunst Zum Hören und Sehen, Kunsthalle Wien (Karlsplatz, project space), Vienna, Austria 1997 Dimensions Variable, Helsinki, Finland, and Stockholm, Sweden (cat.) Laure Genillard 'Une sélection et une collection', Galerie de l'Ancien Collège, Chatellerault, France Lovecraft (curated by Martin McGeown & Toby Webster), CCA, Glasgow, UK Cairn Gallery, Nailsworth, Gloucestershire, UK Thoughts (curated by Carolina Grau), City Racing, London, UK Supastore de Luxe No. 1 (curated by Sarah Staton), Up & Co, New York Imprint 93 (and other related ephemera) (curated by Matthew Higgs), Norwich Gallery, Norwich, UK Answer 'Affirmative' or 'Negative’, Art Metropole, Toronto, Canada Galerie Mot & Van den Boogaard (curated by Macha Roesink), Brussels, Belgium Snowflakes Falling on the International Dateline (curated by David Lillington),CASCO, Utrecht, Netherlands 1996 Life/Live (curated by Laurence Bosse and Hans Ulrich Obrist), Musee d'Art Moderne, Paris, France (cat.) The Speed of Light, The Speed of Sound (curated by Jeremy Millar), Design Institute, Amsterdam, Netherlands Against, Anthony D'Offay Gallery, London, UK Ace!, Arts Council Collection, Hayward Gallery, London, UK (cat.) A Century of Sculptors 'Drawings', Karsten Schubert, London, UK (cat.) East International, Sainsbury Centre for Visual Arts, Norwich, UK (cat.) Tracce 1995-96, Galleria Paolo Vitolo, Milan, Italy Some Drawings: From London (curated by Kate Bernard), The Rooms, London, UK A4 Favours (curated by Padraig Timoney), Three Month Gallery, Liverpool, UK Banana Republic (Room curated by Padraig Timoney), Bund, London, UK try, Royal College of Art, London, UK (cat.) Kiss This, Focal Point Gallery, Southend-on-Sea, UK weil morgen (curated by Stefan Kalmar), Eisfabrik, Hannover, Germany Affinata (curated by Carolin Lindig), Castello di Rivara, Turin, Italy 1995 Snow Job (curated by Lionel Bovier), Forde, Geneva, Italy My Darling Cicciolina ..., (curated by Francesca Piovano), last order(s), London, UK (cat.) Just Do It (curated by Stefan Kalmar), Cubitt Gallery, London, UK Laure Genillard Gallery, London, UK Imprint 93/City Racing (curated by Matthew Higgs), City Racing, London, UK Zombie Golf, Bank, London, UK Unpop (curated by Bob & Roberta Smith), Anthony Wilkinson Fine Art, London, UK Multiple Choice, Jibby Beane, London, UK The Fall of Man, Three Rooms and a Kitchen, Pori, Finland In Search of the Miraculous, Starkmann Ltd, London, UK Fuori Fase, Viafarini (curated by Angela Vettese), Milan, Italy 1994 Art Unlimited: Multiples of the 1960s and 1990s, CCA, Glasgow, UK (cat.) Todd Gallery, London, UK Conceptual Living (curated by Macha Roesink), Rhizome, Amsterdam, Netherlands Potato (curated by Gary Thomas, Steve McIntyre & Alison Jacques), IAS, London, UK Sarah Staton's Supastore Boutique, Laure Genillard Gallery, London, UK The Little House on the Prairie, Marc Jancou Gallery, London, UK Modern Art, Transmission Gallery, Glasgow, UK Imprint 93/Cabinet Gallery (curated by Matthew Higgs), Cabinet Gallery, London, UK Domestic Violence (curated by Alison Jacques), Gio' Marconi, Milan, Italy 1993 Wonderful Life, Lisson Gallery, London, UK 1992 Inside a Microcosm (curated by Gareth Jones), Laure Genillard Gallery, London, UK Outta Here (curated by Douglas Gordon), Transmission Gallery, Glasgow, UK Angel Row Gallery (curated by Mark Dey), Nottingham, UK 1991 Laure Genillard Gallery, London, UK Angel Row Gallery Touring Show (curated by Mark Dey), Nottingham, UK 1989 The Black Bull (curated by Tess Jaray), London, UK SELECTED RECORDINGS 2004 I don't know what I want, Work No. 320, CD, 1 song, Serpentine Gallery 1999 I Can't Move, CD, 7 songs, Toronto: Art Metropole EVERYTHING IS GOING TO BE ALRIGHT, CD, 3 songs (Work Nos. 207, 208, 209), London: The Pier Trust 1997 nothing, (with the band 'owada'), piano 508, 27 songs SELECTED INTERVIEWS 2007 “Inside Art: Martin Creed,” Dazed Digital, interviewed by Freire Barnes 2006 “35' 39," Radio New Zealand's Saturday Morning programme, Interview with Kim Hill Saturday, 2005 'Something to work for,’ interviewed by Maurizio Cattelan, Flash “20 Questions,” text introduction by Matthew Higgs, Untitled 2004 “Twenty (More) Questions,” The Wrong Times, interview by Corinna Durland, Issue 1 “Blow and Suck: Martin Creed,” interviewed by Jérôme Sans, Live, Palais de Tokyo / Éditions Cercle d’Art, 2001 “Martin Creed,” interviewed by Chris Coombel, Tate Magazine, Issue 27 Bowditch, Gillian, “Art? Even Martin’s in the dark”, The Sunday Times, London, (December 2001), 5. 1998 Buck, Louisa, 'UK Artist Q&A', The Art Newspaper, London, (November 1998), no. 86 L'espresso Video Interview Opening night of 'I Like Things', Fondazione Nicola Trussardi PERIODICALS Smith, Roberta, ‘The Bearable Lightness of Martin Creed’, New York Times, (July, 2007), ill. Shaw, Lucy, 'My London,' Evening Standard Magazine, (May, 2007), 58, ill. Falconer, Morgan, 'The Great Entertainer', Times 2, The Times, (May, 2007), 15, ill. Coomer, Martin, 'Exhibition of the week', Time Out, (May, 2007), 45, ill. Roberts, Bill, 'Hauser and Wirth Coppermill', Your Gallery, www.saatchi-gallery.co.uk, (May, 2007). Searle, Adrian, 'Beyond the Jokes', The Guardian, G2, (March, 2007), 23-25, ill. Lack, Jessica, 'Martin Creed', The Guardian Guide, (May 2007), 37, ill. Martin, Francessca, 'Martin Creed’s Toilets and Triangles' Arts Diary, The Guardian, (April 2007), 26. Guest, Katy, 'The Art of Gardening', The Independent Magazine, (April 2007), 31, ill. Stern, Steven, 'Theatre of the absurd,' Time out, New York, Issue 600, (March 2007), 70, ill. Mattioda, Mario, Interview, Vogue Italia, Italy, Issue No. 679, (March 2007), 242, ill. Chiles, Lawrence, 'Get Me', Wonderland, London, Issue 7, (Feb/March, 2007), 98, ill. 'Martin Creed. Words and Music', The Herald, (March 2007), 2, ill. Vogel, Carol, 'Inside Art', The New York Times, (January 2007), 5. Kinnes, Sally, 'What’s over you mantelpiece', The Independent, (2007). 2006 Slyce, John, 'Martin Creed', Contemporary 21, (2006), Issue 89, 49, ill. 'Oh Christams tree, Oh Christmas tree', The Guardian, G2, (December 2006), 1, ill. Newbury, Tancred, 'How was it for them?', The Guardian, G2, (December 2006), 25 Donohue, Graeme, 'What a load of balls', The Scottish Sun, (December 2006), 13, ill. Smith, Aiden, 'Throwing up a few surprises', Scotland On Sunday, (December 2006), 3. Wallach, Amei, 'ART; The provocateur and his well heeled collaborator’ The New York Times, (November 2006). Gautier, Michel, '+/- ‚ Martin Creed Ou La Solution Zero', 20/27, (2006), Issue No.1, 107, ill. Paul, Andrew, 'Stupid like nature', Listener — The things that matter, (October 2006) ill. Clifford, Andrew, 'Bypassing the thinking process', The New Zealand Herald, (October 2006) ill. Sheils Rosa, 'Creed’s Credo', (2006), ill. Guest, Katy, ' Credo', The Independant on Sunday, (October 2006), 59, ill. Coulson, Amanda, 'Nothing', Art Review, London, (October 2006), Issue 04, 162, ill. Vetrocq, Marcia E, 'Martin Creed, Artful Dodger', Art in America, New York, No. 8, (September 2006), 146-149, ill. Schjeldahl, Peter, 'New and Old', The New Yorker, (September 2006), 86 / 87. Baer-Bogenschütz, Dorothee, 'Goldschatz in Texas', Kunstzeitung, Regensburg, Nr. 121, (September 2006), 13 Schedlemayr, Nina, 'Disposition. Versponnenheit schlägt blutleere', Spike, Vienna, (Summer 2006). no. 8, 72-73 Brooks, Arma, 'Must see art,' LA Weekly, (August 2006), 60, ill. Ollman, Leah, 'Creed’s work delivers a shock', LA Times, Los Angeles, (August 2006). Hensher, Philip, 'That’s a Hirst? It’ll never sell...', The Independent, London, (August 2006). Falconer, Morgan, 'Never a Hirst. Is it?', The Times, London, (August), ill. Teodorczuk, Tom, 'The pig and the penguin: ICA trots out genius of youth', Evening Standard, (July 2006), 23, ill. Haden-Guest, Anthony, 'Under the influence', FT Weekend, London, (July 2006). Moore, Christopher, 'Scape set to transform city', The Press, Christchurch, (July 2006), ill. 'Martin Creed Work No 370: Balls', Art Quarterly, London, (June 2006), 134, ill. Vetter, Christian, 'Update: Zurich', We are the Artists, Zurich, No. 7, (May-July, 2006), 7, ill. 'Ehemalige jüdische Mädchenschule, ‘Martin Creed', Kunstforum, Ruppichteroth, (May-June 3006), vol. 180242-243, ill. Malvern, Jack, 'Art of noise kicks up a stink', The Times, London, (May 2006), 5 Bruni, Lorenzo ‘Astrazione’, Arte e Critica, Issue 45, (January-March, 2006), 54-55, ill. Basting, Barbara, 'Glanzlichter der Woche', Züritipp (insert in: Tagesanzeiger), Zurich, (February— March 2006), 45, ill. Hess, Ewa, 'Kunst, aber schnell!,” Sonntagszeitung, Zurich, (January 2006), 47, ill. British Council Switzerland, 'Talking Art', Berne: British Council Switzerland (brochure) 2005 Morton, Tom, 'Lyons Biennale', Frieze, London, (November-December 2005), Issue 95, 128-129, ill. Meltzer, Eve, 'Monuments for the USA', Frieze, London, (June-August 2005), Issue 92, 160. Hardy, Katherine, 'Martin Creed: artist or musician?’, The Art Newspaper, New York, (June 2006), 2, ill. Douglas, Sarah, 'Report from Basel', Artinfo, Berlin, (June 2006), ill. Art International, Milan, (May-June 2005), vol. 38, no. 242, 110-111, ill. Lafuente, Pablo, 'Down up', Flash Art International, Milan, (May-June), vol. 38, no. 242, 114-115, ill. Lissmann, Christina, 'Holy Art Space!', Sleek Magazine for Art and Fashion, Berlin, (Winter), 58-63, ill. Harding, Jessica, 'Portrait of a Lady with an Ermine', Another Magazine, New York, (Summer 2005), 98, ill. Bishop, Claire, 'But is it Installation Art?', Tate etc., London, (Spring 2005), Issue 3, 26-35, ill. Coles, Alex, 'Martin Creed', Frieze, London, (March 2005), no. 89, 130-131, ill. Honigman, Ana Finel, 'Nothing Fancy', ArtNet, (February 2005). ‘A panoramic view of art in the capital. Martin Creed’, Flash Art, Milan, (January-February 2005), 73. Steggles, Annabelle, ‘Art Gillery’, The Sun, Glasgow, (March 2005), 21, ill. ‘If you’re lonely’, The Independent, London, (July 30, 2005), 6-7, ill. Behrman, Pryle, ‘Lyons Biennale 2005’, Art Monthly, London, (November 2005), no. 291, 21-23, ill. Bailey, Martin, ‘Collector Relations’, The Art Newspaper, London, (January 2005), no. 154, 6 Deal, Stephen, ‘It cost £30k, but for that you get to kick his balls’, Metro, London, (March 29, 2005), 3, ill. Duffy, Gerry, ‘Load of Balls’, The Sun, (March 29, 2005), 23. Goodwin, Karin, ‘Gallery puts 30,000 into load of balls’, The Sunday Times, London, (March 27, 2005). Brocklebank, Jonathan, ‘Having a ball,’ Daily Mail, London, March 28, 2005, 3, ill. 2004 --, Very New Art 2004, (2004), Vol. 56, No. 847. Eccles, Tom (ed.), ‘Plop: recent projects of the Public Art Fund,’ New York, (2004), 68-71, ill. Levin, Kim, 'None of the Above', Village Voice, New York, (December 23, 2004). Herbert, Martin, 'On the ground. London', Artforum, New York, (December 2004), vol. XLIII, no. 4, 73-76. Anderson, Hephzibah, 'Art News', Metro, London, November 26-December 2, 2004 O’Reilly, Sally, 'Martin Creed', Art Monthly, London, (November 2004), no. 281, 34-35, ill. Chapman, Peter, 'Private View: Martin Creed Hauser & Wirth, London W1', Independent, London, (October 2004), 17, ill. Campbell-Johnston, Rachel, 'This Week. The Best of the Arts chosen by The Times Team of Critics', Weekend Review, London, October 23, 2004, 1 Coomer, Martin, 'Martin Creed', Time Out, London, (October 2004), ill. Pethick, Emily, 'Martin Creed', ArtForum, New York, (October 15, 2004). Güner, Fisun, 'Get the ball rolling', Metro, London, (October 12, 2004), 26, ill. Akbar, Arifa, 'In art, you have to kick a few ideas around', The Independent, London, (October 8, 2004), 3, ill. Fisher, Neil, 'First Choice', The Times, London, (October 8, 2004), 18. Byrnes, Sholto, 'An on/off affair', The Independent Review, London, (October 2004), 6, 8, ill. CB, 'Martin Creed', The Guide, London, (October 2004), 37, ill. Roberts, Alison, 'This will put a smile on your face', Evening Standard, (August 2004), 41, ill. --, 'Artists’ choice', The Independent, London, (August 2004), 16-17, ill. Cullinan, Nicholas, 'State of Play', Frieze, London, (April 2004), no. 82, 93-94, ill. Kent, Sarah, 'No laughing matter', Time Out, London, March 17-24, 2004, p. 46, ill. Gingeras, Alison M., 'Painting without canvas or sculpting with paint', Contemporary, London, 2004, 22-25, ill. --, 'My Secret Life: Martin Creed, artist', The Independent, London, January 31, 2004, p. 7 Durland, Corinna, ‘Martin Creed: Twenty (More) Questions,’ Wrong Times, no. 1, 2004, pp. 2-3 --, ‘This Week. The best of the arts chosen by The Times team of critics, Weekend Review, London, (October 2004), 1 --, ‘Top 15’, Monopol, Berlin, (October-November, 2004), no. 4, 16-17, ill. Jennings, Rose, ‘Can everyone hear at the back?’ The Observer, (October 2004), 6 --, ‘Martin Creed: Works CCA Ujadowski Castle Warsaw,’ Contemporary, 2004, no. 62, 23 Ward, Ossian, ‘Why are you all hanging around here?,’ The Independent Review, London, (October 2004), 3 Gleadell, Colin, ‘Contemporary market,’ The Daily Telegraph, London, (October 2004). 2003 --, ‘Bad Behaviour’, Arts Council Collection, (2003), 56-57, ill. Darwent, Charles, 'Visual Art; Go on then, delight me... ', The Independent on Sunday, London, (November 2003), 13 --, 'Dancing with myself', Work, Art in Progress, Trenton, (October-December 2003), no. 7, 14-15, ill. Higgs, Matthew, 'Martin Creed', Work, Art in Progress, Trento, no. 7, October-December 2003, pp. 20-21, ill. Higgs, Matthew, 'First Take', Artforum, New York, (January 2003), vol. XLI, no. 5, 120 Berwick, Carly, 'A Right Kind of Wrong', Artnews, New York, (January 2003), vol. 102, no. 1, 25, ill. 2002 Millward, David, 'Turner Prize treatment for House of Commons, Artist aims to shed some light on politicians', Daily Telegraph, London, (December 2002), 11. Donohoe, Graeme, 'Stars are so big arted', The Sun, London, (August 15, 2002). Sewell, Brian, 'Art', Evening Standard, London, (May 30, 2002), 9 Lafreniere, Steve, 'Top Ten', Artforum, New York, (May 2002), vol. XL, no. 9, 47 Donohoe, Graeme, 'Brave art; Exclusive', The Sun, London, (March 14, 2002), 36 Vetrocq, Marcia E., 'Arte Povera: The Recount', Art in America, New York, (March 2002), no. 3, 82-91. Donohoe, Graeme, 'The crazy world of Martin Creed', The Sun, London, (February 15, 2002), 40, ill. Irvine, Ian, 'A capital idea', The Independent, London, January 31, 2002, 10. Brooks, Richard, 'Martin Creed, Biteback', Sunday Times, London, (January 13, 2002), 12. Davies, Brian, 'Letter: Alphabet as art', The Independent, London, (January 7, 2002), 2. McGrath, Kate, 'As easy as ABC', The Scotsman, Edinburgh, (January 7, 2002), 13. Lubbock, Tom, 'A letter in the newspaper', The Independent, London, (January 2002), 6-7, ill. Sans, Jerome, 'On Stage', The Curator’s Egg, no. 3, 2002. Reindl, Uta, Review, Tema Celeste, April, 2002, 92 Mahoney, Elisabeth, ‘Art: Martin Creed’s maddening noises’, The Guardian, London, (March 2002), 14. 2001 Whitworth, Damian, 'Madonna swears by her artful defence', The Times, London, (December 2001), 3. Bushell, Garry, 'Garry Bushel on the box: Turner this light off', The People, London, (December 16, 2001), 14. Collings, Matthew, 'Where were you when the lights went out?', Sunday Times, London, (December 2001), 2. Grimston, Jack, 'Turner lights have glow of earlier art', Sunday Times, London, (December 2001), 7. McGlown, Martin, 'Protester hurls eggs at Turner Prize light show', Evening Standard, London, (December 12, 2001), 18. Brown, Craig, 'Way of the World: The Turner dinner', Daily Telegraph, London, (December 2001), 25. Campbell-Johnston, Rachel, 'Nothing ventured', The Times, London, (December 2001), 17. Mullins, Charlotte, 'The tailor who created the emperor’s new clothes', The Independent, London, (December 2001), 5. Wilson, Simon, 'Baffled? Don’t be', The Mirror, London, (December 2001), 12. Reynolds, Nigel, 'Turner Prize won by man who turns the lights off', Daily Telegraph, London, (December 10, 2001), ill. Jury, Louise, 'Blink and you’ll miss it, the light work that took the Turner prize', The Independent, London, (December 10, 2001), 2-3, ill. Gibbons, Fiachra, 'Judges switched on as Turner Prize goes to the Creed of nothingness', The Guardian, London, (December 10, 2001), 3. McGlown, Martin, 'Try this at home, says £20,000 Turner Prize winner', Evening Standard, London, (December 10, 2001), 5. Stewart, Helen, 'You call that art?', The Scotsman, Edinburgh, (December 7, 2001), 4. Denny, Ned, 'Tate that', The Statesman, London, (November 26, 2001). Aidin, Rose, 'Bright lights, small islands', The Times, London, (November 24, 2001), 42-43, ill. --, 'Pandora', The Independent, London, (November 8, 2001), 4. --, 'Artists light up prize list', The Sun, London, (November 7, 2001), 25. Bush, Kate, 'London Field', Artforum, New York, (September 2001), vol. XXXIX, no. 1, 85. McGee, John, 'Space-Jack!', www.metropolis.japantoday.com/tokyoart/392/tokyoartinc.htm, Tokyo, (2001), ill. --, 'Turner art prize judges Blu it with tacky choice', The Sun, London, June 5, 2001, 34. Johnson, David, 'It’s pretty good rubbish and I’m not binning it', Sunday Times, London, (June 3, 2001), 2. Alberge, Dalya, 'Familiar rubbish on Turner shortlist', The Times, London, May 31, 2001, 3. Cummins, Fiona, 'My blu period', The Mirror, London, (May 31, 2001), 22. Darvill, Mike, 'A blob of blu-tack in running for art prize', The Sun, London, May 31, 2001, 19 .Searle, Adrian, 'Appalling Fascination of a Career-enhancing Competition', The Guardian, London, (May 31, 2001). Millard, Rosie, The Times, London, (June 8, 2001), 7. Gibbons, Fiachra, ‘It’s On, It’s Off, but is it Art?’, The Guardian, London, (November 7, 2001). Dorment, Richard, ‘Dullness and Decadence’ The Daily Telegraph, London, (November 7, 2001), 18. Cumming, Laura, ‘What, No Elephant Dung?’, The Observer, London, (November 11, 2001), 10. Kent, Sarah, ‘A Funny Turner’, Time Out London, London, (November 14, 2001). McEwen, John, ‘Grave Time for Turner’, Telegraph, London, (November 11, 2001), 6. Alberge, Dalya, ‘Turner Judges see the Lights’, The Times, London, (December 10, 2001), 3. Vogal, Carol, ‘A Prize for Lights’, The New York Times, New York, (December 14, 2001), E36 Carsaniga, Prof G, ‘Letter: Turner Puzzle’, The Independent, London, (December 11, 2001). Reade, Brian, ‘Prize art? Now it’s your Turner…’, The Mirror, London, (December 11, 2001), 12-13. --, ‘Londoner’s Diary’, Evening Standard, London, (December 11, 2001). Searle, Adrian, ‘Urban outfitters’, The Guardian, London, (December 4, 2001). 2000 Bishop, Claire, 'The Creed of Banality', Evening Standard, London, (November 14, 2000), 57. Coles, Alex, 'Martin Creed at City Art Gallery', Art in America, New York, (November 2000), no. 11, 176, ill. Jones, Jonathan, 'Let there be light', The Observer, London, (March 19, 2000), 16-17, ill. Campbell-Johnston, Rachel, 'He’s got the whole world in his signs', The Times, London, (March 15, 2000), 18, ill. Lewisohn, Cedar, 'Art & Rock Stars', Flash Art, Milan, (March-April 2000), 78-81. ill. Buck, Louisa, 'Martin Creed', Artforum, New York, (February 2000), vol. XXXVIII, no. 6, 110-111, ill. Searle, Adrian, 'Is this what they call pop art?', The Guardian, London, (January 18, 2000), 14-15, ill. MacMillan, Ian, ‘I’m saying Nothing’, Modern Painters, 42-44. Cotter, Holland, ‘Surging into Chelsea’, The New York Times, New York, (January 21, 2000). McFarland, Dale, ‘DON’T WORRY’, Frieze, London, (May 2000), no. 52. Buck, Louisa, ‘Moving Targets 2; A users guide to British art now’, Tate, London, (2000), 118-119. 1999 Rindler, Lawrence (ed.), 'Searchlight: Consciousness at the Millennium', London: Thames & Hudson, (1999). Collings, Matthew (ed.), 'This is Modern Art', London: Weidenfeld & Nicolson, (1999) --, 'A message to our readers', The Art Newspaper, London, (December 1999), no. 98, Buck, Louisa, 'London Calling by Louisa Buck', The Art Newspaper, London, (December 1999), no. 98 Meenaghan, Tony, 'Q: Is this a screwed up piece of paper or the star of new art exhibition? A: BOTH’, The Mirror, London, (November 12, 1999), 15. Cara, Page, 'This Crumpled Sheet of A4 is a Work of Art', The Daily Record, Glasgow, (November 12, 1999). Mark, Lisa Gabrielle, 'Fresh Heir', C, International Contemporary Art Publication, Toronto, (September 1999), no. 63 Beech, Dave, 'Martin Creed', Art Monthly, London, (May 1999), no. 226. Higgs, Matthew, 'Martin Creed: 20 Questions', Untitled, London, (Spring 1999), no. 18. Lillington, David, 'Martin Creed', Metropolis M, Utrecht, (April 1999). Jones, Jonathan, 'What’s so minimal about 15 000 balloons?', The Observer, London, (March 14, 1999). --, 'Rubbish to some, but art of Creed has cult status', Daily Mail, London, (March 8, 1999), 27, ill. Mclver, Brian, 'Meet the modern artist who admits his work in rubbish', Saturday Times, Glasgow, (March 6, 1999). McFarland, Dale, ‘On Martin Creed,’ Frieze, London, (1999), 66-69. --, ‘World of art gets it all screwed up,’ The Mirror, London, (November 12, 1999). 1998 Obrist, Basualdo; Bonami, Cameron [et al.], 'cream — contemporary art in culture', London: Phaidon Press, (1998). Stephens, Craig, 'Live Scene: Owada', Revolver, Sydney, (September 28, 1998). Buck, Louisa, 'Faces, places and spaces to watch in 1998: your cut-out and keep guide to the future of British art', New Statesman, London, (January 2, 1998). 1997 Collings, Matthew, 'Blimey. From Bohemia to Britpop', London, (1997). Gallagher, Ann, 'Dimensions Variable — New Works for the British Council Collection', London: The British Council, (1997) Pigott, Hadrian [et al.], 'Go into a shop and ask for nothing', Very, New York, (1997), no. 2. Green, David, 'Minimal Interventions', Contemporary Visual Arts, London, (1997), no. 17. Wilson, Andrew, 'Band Art', Art Monthly, London, (October 1997), no. 210. Archer, Michael, 'The Object of Art', Art Monthly, London, (July-August 1997), no. 208. Kyriacou, Sotiris, 'Propositions', Art Monthly, London, (July-August 1997), no. 208. Freedman, Carl, 'Generation W(eird)', The Guardian, London, (May 27, 1997). Joliffe, Kira, 'The Idler Presents: Owada', The Idler, London, (Spring 1997), no. 18. Coles, Alex, 'Martin Creed — No Entry', Art + Text, Los Angeles, (February-April 1997), no. 56. 1996 Williams, Gilda, 'Martin Creed Tabula Rasa', Art Monthly, London, (April 1996), no. 195 1995 Piccoli, Cloe, 'Martin Creed', Flash Art Italia, Milan, (December-January 1995-1996). Kent, Sarah, 'Sound & Vision', Time Out, London, (August 30 — September 9, 1995). --, 'The Ruby Kelly Column', Art Review, London, (June 1995), vol. XLVII. Lederman, Erika, 'Unlimited Works at Starkmann Limited', Art Monthly, London, (April 1995), no. 185 Fondazione Nicola Trussardi, 'I Like Things,' Artforum Diary, Review, (May) 1994 O’Reilly, John, 'Art for Bart’s sake', The Modern Review, London, vol. 1, no. 16, August-September 1994 Searle, Adrian, 'Martin Creed and Sam Samore', Time Out, London, July 21-July 27, 1994 1992 Collings, Matthew, 'Matthew Collings on some kind of sculpture show at Laure Genillard', City Limits, London, (1992). BOOKS Arts Council of England (ed.), 'Art Unlimited: Multiples of the 1960s and 1990s', London: Arts Council of England, (1994) Creed, Martin, 'Martin Creed: the whole world + the work = the whole world' [artist’s book, text by: John O’Reilly], Geneva: Galerie Analix B&L Polla/London: Karsten Schubert Gallery, 1996 Rolo, Jane, Hunt, Ian (ed.), 'Bookworks — A Partial History and Sourcebook', London: Bookworks, 1996 Arts Council of England (ed.), 'Ace!', London: Arts Council of England, 1996 EXHIBITION CATALOGUES 2006 Of Mice and Men, 4th Berlin biennial for contemporary art. Texts by Ali Subotnick (cur.), Maurzio Cattelan, and Massimiliano Gioni. Joy, Casino Luxembourg — Forum d’art contemporain asbl, Luxembourg, Luxembourg: Imprimerie centrale S.A., Luxembourg Strange I`ve seen that face before, Städtisches Museum Abteiberg, Mönchengladbach/Cologne: Städtisches Museum Abteiberg/Dumont Verlag The Invisible Show, Vigo: Museo de Arte Contemporanea de Vigo, Sardo, Delfim; MARCO, Text by Centro José Guerrero. 2005 The lights off, Engberg, Melbourne International Arts Festival, Visual Arts Program 2005, Melbourne, Text by Juliana (cur.). Extra Ordinary, Stockholm, Text by Stella d’Ailly, Lisa Olausson and Maja Stein, 50-51. The Art of White, The Lowry, Text by Clive Adams and Edwin Bowes, 90 ‘Conversations,’ Art Basel, Text by Sam Keller, 17-18 Size Matters, Exploring Scale in the Arts Council Collection, Text by Susan May, 30 Experiencing Duration, Biennale d’art contemporain de Lyon 2005, Text by Thierry Raspail, 106-109 Joy, Casino Luxembourg, Text by Iara Boubnova and Enrico Lunghi (cur.). Monuments for the USA, Short Term Memory, CCA Wattis Institute for Contemporary Arts, Text by Ralph Rugoff. 2004 'Martin Creed: the whole world + the work = the whole world', Centre for Contemporary Art, Warsaw, Text by Castle Ujazdowski Martin Creed, Bern, Text by Kunsthalle. Live, Palais de Tokyo, Paris. Bad Behavior: from the Arts Council Collection, Longside Gallery, Yorkshire. Genesis Sculpture, Experience Pommery #1, Domaine Pommery, Reims. Communicable Action for Everybody, Café in Mito, 26-27. State of Play, , Serpentine Gallery, London, Text by Rochelle Steiner (cur.). 2003 Shine: Wishful Fantasies and Visions of the Future in Contemporary Art, Museum Boijmans Von Beuningen, Rotterdam. 2002 My Head is on Fire but my Heart is Full of Love, The Modern Institute, Texts by Will Bradley, Henriette Bretton-Meyer, Toby Webster. Copenhagen: Charlottenborg Udstillingbygning / Glasgow. Rock My World: Recent Art and the Memory of Rock’ n’ Roll, CCAC Wattis Institute for Contemporary Arts, San Francisco, Text by Ralph Rugoff, Ann Powers, Matthew Higgs. Tempo, Herkenhoff, The Museum of Modern Art, New York, Texts by Paolo, Marcoci, Roxana, Basilio, Miriam. 'No Return', Collection Haubrok, Mönchengladbach. 2000 Martin Creed Works, Southampton City Art Gallery, Southampton, New York Intelligence. New British Art 2000, London: Tate Publishing, Texts by Button, Virginia, Esche, Charles. Protest And Survive, Whitechapel Art Gallery, London. ...sabotage..., Shed im Eisenwerk, Frauenfeld. DON'T WORRY, Chelsea & Westminster Hospital, London. 1999 Contemporary Sculpture in Scotland, Craftsman House (imprint of G&B International, Sydney), Text by Andrew Patrizio. 1998 every day, Bingham, Sydney: Biennale of Sydney Ltd, Texts by Juliet; Watkins, Jonathan; Spark, Joe. Speed, Whitechapel Art Gallery, London. Proper (blind date) 1-3, Helsinki: Frame Finnish Fund for Art Exchange, Text by Paula Toppila. 1996 From Figure to Object: A Century of Sculptors, Frith Street Gallery, Karsten Schubert Gallery, London. Norwich Gallery, Sainsbury Centre for Visual Arts, 'EAST International', Norwich: Norwich Gallery/Sainsbury Centre for Visual Arts. 1995 My Darling Cicciolina, London: FILEF |