2009

Kiki Seror, Men Performing Masculinity; Surgeon of His Honor, Video Premier, CELLSpace Gallery, San Francisco, CA

Leyendecker Gallery, Canary Islands, Spain.

2008

Kiki Seror, I-20 Gallery, New York, New York

2006

Kiki Seror, ViennaFair, Vienna, Austria (I-20)

2005

Kiki Seror: Ms. SURVEY. (Curated by Dwight Hackett and Jenifer Jovais), SITE Santa Fe, Santa Fe, New Mexico (cat.)

2004

10eme Aniversaire de Prix de Flore, Livre D’or Installation Performance. Organized by Valerie Cueto and Carole Chretiannot, Café de Flore, Paris, France

Pleasure Victim: Fragment d’un discours Erotique, Galerie Valerie Cueto, Paris, France

Phantom Fuck, Nils Staerk Contemporary Art, Copenhagen, Denmark

2003

Saint-Petersburg Windows: Reflections, Marina Gisich Gallery, St. Petersburg, Russia

Honest Espionage: Truth and Consequences, Francosoffinano Arte Contemporary, Ozzano Monf.to, Italy (cat.)

2002

Honest Espionage: Killer Whore, I-20 Gallery, New York

Text, Light and Image, Galeria Leyendecker, Canary Islands, Spain

2001

Public Seduction (Curated by Barbara Steffen), Sigmund Freud Museum and Sigmund Freud Park, Vienna, Austria. www.publicseduction.com (cat.)

2000

Kiki Seror, I-20 Gallery, New York (cat.)

222: Two Curators Two artists Two weeks (Curated by Madgalena Sawon), Apex Art,

New York. (cat.)

Kiki Seror, Galeria Joao Graca, Lisbon, Portugal

2010

Cultural Olympiad, curated by Stephanie Rebick and Christopher Eamon, Public Video Screening coinciding with Vancouver’s presentation of 2010 Olympic and Paralympic Games, Queen Elizabeth Theatre, Vancouver Art Gallery. Vancouver, B.C.

Lube, curated by Martin Durazo, JAUS Gallery, Los Angeles, CA

VideoFormat, Corpus, curated by Karina Karaeva, National Centre for Contemporary Arts, Moscow, Russia (cat)

2009

Bad Habits, curated by Heather Pesanti, Albright-Knox Art Gallery, Buffalo, New York.

2008

Love, Love, Love, curated by Jose Martos and Chloe Labouerie, Martos Gallery, New York

Deep in the Heart of Southie, LaMontagne Gallery, Boston, MA.

Panopti(con), (curated by Martin Durazo), Bank, Los Angeles

SITE Unseen, Fund Raiser for 2008 International Biennial, James Kelly Gallery, Santa Fe, NM.

2007

Theater of Cruelty, (curated by Raul Zamudio) White Box, New York

Que’Est Ce Que C’est Performance? Screening. Curated by Christopher Eamon. Henry Street Settlement, Abrons Art Center. New York.

2006

Video Lounge: Highlights from the Sagamore Video Collection, The Sagamore Hotel, Miami

Photos and Phantasy: Selections from the Frederick R. Weisman Art Foundation, Los Angeles, California

Don Juan (curated by Gerald Matt) Ursula Blickle Stiftung, Kraichtal-Unterowisheim, Germany. Travels to the Kunsthalle Wien, Austria and Magazin4 Bregenzer Kunstverein, Austria

Jugend von heute (curated by Matthias Ulrich), Schirn Kunsthalle Frankfurt, Germany

2005

ModusOperandi. Art Video Lounge: Videotheque, Art Basel Miami Beach (Curated by Christopher Eamon)

Balance and Power: Performance and Surveillance in Video Art (Curated by Michael Rush) Krannert Art Museum, University of Illinois at Urbana-Champaign, Illinois traveled to The Rose Art Museum at Brandeis University, Massachusetts

It’s Not About Sex. Luxe, New York

Infrastructure. Curated by Therese Stowell, Studio Voltaire, London, United Kingdom.

Girls, Girls, Girls. Curated by Richard Leyden, CAN Centre d’Art, Neuchâtel, Switzerland.

SELECT III 2005 Washington Project for the Arts/ Corcoran Art Auction, Washington Project for the Arts, The Corcoran, Washington DC

Ars Digital. Curated by Joulia Strauss. The 1st Moscow Biennale, Moscow, Russia

2004

In Focus: Themes in Photography, Albright Knox Art Gallery, Buffalo, New York.

Papier Cadeaux, Valerie Cueto Gallery, Paris, France.

LILITH — L’Aspetto Femminile Della Creazione. (Curated by Maria Luisa Trevisan.) Scuderie Aldobrandini, Frascati, Rome, Italy

Pretty World, Curated by Jerome Jacobs. Aeroplastics Contemporary. Brussels, Belgium.

Interfacies Asteriae, The Intermediatic Soul. (Curated by Francesco Bonazzi and Maffei Gueret) Asteria Multimedia. Trento, Italy.

typO (Curated by Cecilia Andersson.) Moderna Museet. Stockholm, Sweden

Allure Electronica. (Curated by Murray Horne.) The Woodstreet Galleries, Pittsburgh Cultural Trust, Pittsburg, Pennsylvania (cat.)

Freud: The Creative Analysis of Analysis. (Curated by Barry Rosenberg.) School of Fine Arts, University of Connecticut, Storrs, CT.

Special Projects. ARTRotterdam Video Lounge, Rotterdam, The Netherlands

Sexy Beast: An Exploration of Sex and Sexuality in Art from 1963-Present. (Curated by Robert Kanafo.) Ethan Cohen Gallery, New York

Up and Coming. ARCO Madrid

2003

Launch, Smart Project Space, Liste The Young Fair, Basel, Switzerland

Strangers: The First ICP Triennial of Photography and Video, (Curated by Brian Wallis),

Christopher Phillips, Edward Earle and Carol Squiers. International Center of Photography,

New York. (cat.)

OnLine, (Curated by Charles Finch, Jr, George Negroponte and Robert Storr.)

Feigen Contemporary, New York

Glow: Aspects of Light in Contemporary American Art, (Curated by Frances Colpitt.) USTA Art Gallery, The University of Texas at San Antonio. Traveled to the Texas Fine Arts Association in Austin; and the University of North Texas Art Gallery in Denton.

NYCSEX. (Curated by Grady Turner.) Museum of Sex, New York.

The Luminous Image VI: An Exhibition of Illuminated Photography, (Curated by Franc Palaia) Collaborative Concepts Gallery, Beacon, NY. (cat.)

Cutting Edge. (Curated section by Sandra-Antello Suarez.) ARCO, Madrid, Spain

Windows, (Curated by Olesya Mazin) Marina Gisich Gallery, St. Petersburg, Russia

2002

Fusion Cuisine, Curated by Katerina Gregos. Deste Foundation Centre for Contemporary Art, Athens, Greece. (cat.)

Telling Stories, Curated by Giannin Romano, Borromini Arte Contemporanea, Ozzano Monf.to, Italy

Erotica Now, B&D Studio Contemporanea, Milan, Italy

Endure. Curated by Thomas Peutz. SMART Project Space, Amsterdam, The Netherlands.

Enough About Me, Organized by Debora Kass. momenta art, Brooklyn, NY.

Erotica, Riva Gallery, New York

Peculiarly Pink, Luxe Gallery, New York

New York in Texas, New Gallery, (curated by Mike Weiss and Stefan Stux) Dallas, Texas

Parole parole parole, Curated by Alessandra Borgogelli and Fabio Cavallucci. Galleria Civica di arte contemporanea, Biblioteca comunale e Castello del Buonconsiglio. Trento, Italy. (cat.)

2001

I Love New York, I-20 Gallery, New York

Westworlds, Curated by Max Henry. Mary Boone Gallery, New York.

Media Connection, Curated by Gianni Romano. Palazzo delle Esposizioni, Rome, Italy.

Traveled to La Salara, Bologna; The Triennale, Milan, and Casel S. Elmo, Naples 2002 (cat.)

Video Jam, Curated by Michael Rush and Galen Joseph-Hunter. Palm Beach Institute of

Contemporary Art (PBICA), Palm Beach, FL.

Hemorrhaging of States, Curated by Theo Tegelaers and Chiara Ennis. Tent, Rotterdam,

The Netherlands.

Chelsea Rising, Curated by David Rubin. Contemporary Art Center, New Orleans, LA.

Funcación Arco: Ultimas adquisiciones, Centro Galego de Arte Contemporánea (CGAC),

Coruña, Spain

Unexpected Stages of Regression, Curated by Gianni Romano. Carole Biagiotti Gallery,

Florence, Italy

Cutting Edge. Curated section by Dan Cameron. ARCO Madrid, Spain.

2000

Manly. Curated by Grady Turner. Art in General, New York

Dusk, Curated by David Hunt. I-20 Gallery, New York.

Long Days, Longer Nights, Curated by Andrea Salerno and Mary Spirito. Galapagos Art &

Performance Space, Brooklyn, NY.

2009

Swanhuyser, Hiya. “Watching You Very Closely.” SF Weekly.com (December 10, 2009)

http://www.sfweekly.com/events/men-performing-masculinity-surgeon-of-his-honor-1782112/

Gregos, Katerina, “Who’s Afraid of he F-Word?” BC Magazine, August 2009 Issue 7

Staff, “Kiki Seror atempera el estímulo erótico” Diario de Avisos, September 2009

Stone, Rosetta, "Artnet Gossip," Artnet Newsletter, July 2009

2008

Finch, Charlie, “Lust or Life,” Artnet.com (December 17, 2008), http://www.artnet.com/magazineus/features/finch/finch12-17-08.asp.

2007

Campbell, Clayton, “Kiki Seror,” Contemporary, no. 91 (May 2007): 84-7.

Rush, Michael. Video Art. London: Thames & Hudson, 2007: 231.

Genocchio, Benjamin, “Theater of Cruelty,” The New York Times. (August 3, 2007)

2006

Millis, Christopher, “The joy of looking: Surveillance and power at the Rose” The Phoenix (November 15, 2006) http://www.thephoenix.com/PrinterFriendly.aspx?id=27733

Johnson, Ken. “Surveillance, spectacle on video” Boston Globe (November 3, 2006) http://www.boston.com/ae/theater_arts/articles/2006/11/03/surveillance_spectacle_on_video

“Rose Art Museum” e-flux (October 27, 2006) http://www.e-flux.com/displayshow.php?file=message_1161956899.txt

“So ist sie nicht, die Jugend von heute” FAZ.net (April 7, 2006) http://www.faz.net/s/RubEBED639C476B407798B1CE808F1F6632/Doc~E5C9D3FA1EC42459A921A6CEFE6FD627A~ATpl~Ecommon~Sspezial.html

2005

“Performance and Surveillance in Video” artdaily.com (October 18, 2005) www.artdaily.com/section/news/index.asp?int_sec=2&int_new=15244

Finch, Charlie, “A Dream Within A Dream” artnet.com (September 22, 2005)

Carver, Jon, “Critical Reflections” THE magazine, (April 2005)

"Santa Fe sighting", Visual Arts, Alibi, (April 2005)

Smedley, Mike, “The Exhibit Different” The Durango Herald (April 19, 2005)

Collins, Tom, “The Perception Game” Albuquerque Journal Santa Fe (Friday, March 1, 2005)

Arnold John, “Wanted: Young Art Lovers” Santa Fe/ North (March)

Fischer, Zane, “Site Makes Right” Santa Fe Reporter (February 16- 22, 2005)

Weideman, Paul, Dewalt, Robert “’Four Site” Santa Fe New Mexican Pasatiempo (Friday, Feb 11,2005)

Indyke, Dottie. “On screen Magic” Albuquerque Journal Santa Fe (Friday, Feb 11, 2005)

Previews, THE Magazine, (February/March)

Juliet. (December — January 2005) cover.

2004

E.W. “Les Yeux D’Elsa” Madame Figaro (December 11, 2004)

Barrell, Sarah. “Five Best Art Hotels.” The Independent (May 22, 2004)

Staff. “Manipulation Digitale du Discours De L’Amouteux” Jalouse (May, 2004)

Leydier, Richard and Millet, Catherine. “X-Elles — Portfolio” Special Issue ArtPress no. 7 (May, 2004): 85-90.

Robinson, Walter, “Artnet News” artnet.com (April 4, 2006) http://admin.artnet.com/magazineus/news/artnetnews/artnetnews4-6-06.asp

Rochebouet de, Beatrice. “Art Brussels, La Fleur du Plat Pays.” Le Figaro (April 2, 2004)

Johnson, Ken. “Art in Review. Sexy Beast at Ethan Cohen” New York Times (February 20, 2004)

Navarro, Mariano. “ARCO 2004, Futuribles Entre El Cielo y la Tierra” El Cultura (February, 2004)

Witmer, Jason. “Postmodernity Has Officially Found Pittsburgh” Pulp (January, 2004)

Staff. “Allure Electronica” Pittsburgh Post-Gazette (January 24, 2004)

Yablonsky, Linda. “How Far Can You Go?”, ARTnews, vol. 103, no. 1 (January, 2004):104-9

Sheets, Hilarie M. “Sexy Beasts.” ARTnews, vol. 103, no. 7 (Summer 2004): 175.

2003

Caylor, Sarah. “Feature, Strangers: The First ICP Triennial of Photography.” Afterimage (Nov/Dec, 2003)

Luetic, Anna. “Provokerende Kunst” Bryggebladet (November 5, 2003)

Stevens, Mark “ICP Triennial Review: Now Voyeur” New York Magazine. (October 6, 2003)

Pollack, Barbara “Everyone Han an Ennial: Now it’s Photography’s Turn” New York Times (September 7, 2003)

Luetic, Anna. "Provokerende Kunst," Bryggebladet. November 5, 2003

Staff. “Artnet News: Photo Triennial in New York” artnet.com (August 27, 2003)

RTVE Staff. TV interview, “Mensaje de Texto” Metropolis Spain (May 8, 2003)

Genocchio, Benjamin. “Using Illumination to Truly See,” New York Times (Weschester Section) Section 14 (Sunday, December 28, 2003)

Stevens, Mark. "ICP Triennial review: Now, Voyer." New York Magazine. October 6, 2003

“Artnet News: Photo Triennial in New York,” artnet.com, August 27, 2003

Kerr, Merrily. “Strangers: ICP Triennial of Photography and Video.” Flash Art (Italy), vol. 36, no. 233 (Nov-Dec 2003): 51.

Falconer, Morgan. “Strangers: the first ICP Triennial of photography and video.” Modern Painters, vol. 16, no. 4 (Winter 2003): 129-30.

2002

Koroxenidis, Alexandra. “Fusion Cuisine — Deste Center for Contemporary Art, Athens”, Frieze (October, 2002)

Gilbert, Andrea “Fusion Cuisine, Athens: Deste, Deste Foundation” Contemporary (September 2002)

Goddard, Dan R. “Curator sees the light of our times: Unnatural glow from TV, computer screens intrigues Frances Colpitt, who’s built a show around it,” San Antonio Express News, August 25, 2002: 1H, 3H

Johnson, Ken. “Weekend: ‘“Erotika’ at Riva Gallery,” New York Times, (August 2, 2002)

Streitfeld, LP. “The Unifying Symbol: Erotika at Riva Gallery” NY Arts (August 2002)

Borgogelli, Alessandra “Che Dire?” Work Art in Progress (April-June 2002) cover.

Chambers, Christopher. “April Picks,” NY Arts (April, 2002) www.nyartsmagazine.com

Pappalardo, Bethany Anne. “Kiki Seror at I-20,” tema celeste 91 (May-June, 2002)

Stephens, Craig. “Killer Whore: Kiki Seror at I-20,” dart International (Spring 2002): 41

Korotkin, Joyce B . “Kiki Seror at I-20,” NY Arts Magazine (April 2002); www.nyartsmagazine.com, (April 5, 2002)

Jana, Reena. “Westworld at Mary Boone,” ARTnews (March 2002)

Valdez, Sarah. “Art Attack: Review of Spring Show,” Paper Magazine (March 2002)

Kelly, Douglas. “The Douglas Kelly Show List: 4 Stars,” www.thedouglaskellyshow.com, (March 2002)

Finch, Charlie. “Video Choices,” artnet.com (March 29, 2002)

Levin, Kim. “Voice Choices. The Short List: Kiki Seror,” The Village Voice, (March 26, 2002)

Robinson, Walter. “Weekend Update,” artnet.com, (March 14, 2002)

Finch, Charlie. “The Prisoners of Sex: New shows in New York by Cecily Brown, Kiki Seror, Su-en Wong and Vanessa Beecroft,” artnet.com, (March 7, 2002)

Henry, Max. “Gotham Dispatch,” artnet.com, (March 1, 2002)

Romano, Gianni, “Kiki Seror: Body Language,” Flash Art, vol. 34, no. 222 (Jan — Feb 2002): 80-2.

Finch, Charlie. “It’s a New Dawn,” artnet.com, (January 8, 2002)

2001

Johnson, Ken, “Art Guide (Westworld at Mary Boone Gallery),” The New York Times

(December 14, 2001)

Chambers, Christopher. “January Picks: MAX,” nyartsmagazine.com, (December 5, 2001)

Finch, Charlie. “Greetings Friends,” artnet.com, (December 2001)

Finch, Charlie. “My Own Private Biennial,” artnet.com, (November 29, 2001)

Heartney, Eleanor. “Chelsea Rising at the Contemporary Arts Center,” Art in America (November 2001): 55

Colpitt, Frances. “Southern Sensibilities: The New Orleans Triennial revealed a regional penchant for painting and an uncommon lack of interest in high technology,” Art in America (November 2001): 59-63

Krumpl, Doris. “Verführung met dem Lawer Kiki Serors ‘Public Seduction,’” Der Standard, (November 22, 2001) (illus) (Austria)

Staff. “Seduction by Art. Laser artist Kiki Seror shows what can be done with light,” Austria TODAY, No. 42 2001 (Illus.)

Melchart, Erwin. “Kunst mit Laser-Strahlen: Kiki Seror’s Projekt Sigmund Freud im Internet,”

Neue Kronen Zeitung, November 7, 2001 (Austria)

Staff. “let’s talk about sex,” FRAME (November, 2001) (illus.)

Dusini, Matthias. “Kunstlicht am Zeichenhimmel,” COPY (November, 2001) (Illus.) (Austria)

Staff. “Kunstwien zeigt der Zeit die Kunst,” Dis Presse, (October 25, 2001) (Austria)

Staff. “Seror & Freud,” ORF, (September 27, 2001) (Illus.) (Austria)

Bosco, R. Caldana, S. “Media Connection,” www.ciberpais.elpais.es/d/20010823.ocio/ocio1.htm

2001

“Flash Art News: Digital Delirium Spreads to Rome,” Flash Art (July-September 2001): 50

Rinder, Larry. “Explain to a cultivated man in Budapest what was the best recent show in New York and why: Larry Rinder,” The Art Newspaper (May 2001): 58

“Flash Art News: The Chelsea Rising,” Flash Art (May — June 2001): 78 (illus.)

Staff. “Media Connection,” http://arte.tiscali.it/mediart/mediaconnection_mostra.html (illus.) 2001

Tanni, Valentina. Review . “Un-expected (Stages of regression), Biagiotti Art Contemporanea, Florence,” www.ExibArt.com, (April 7, 2001) (Italy)

Ebony, David. “Art Fairs Hit New York,” Art in America (April 2001): 31

Kelly, Douglas. “A minute or two in the Armory Show,” The Douglas Kelly Show, Channel 34, New York, (March 25, 2001)

Peers, Alexandra. “Contemporary Art’s “New” Look,” Wall Street Journal, (March 9, 2001): W14

Ferrara, Elmer. “Walk around arco (today), http://www.artszin.net/vol1/walkaround.html, ArtsZin.com, (February 15, 2001)

Zita, Carmen. “Sex Issue,” TRACE Magazine (January, 2001) (illus.)

Hug, Scott. “Kiki Seror,” K-48 Magazine (January, 2001) (illus.)

2000

Turner, Grady. “Dusk at I-20,” Flash Art (November — December, 2000): 68 (illus.)

Garbarino, Steve. “High Art,” Details (December, 2000): 46-49 (illus.)

Romano (Ed.), Gianni. “Kiki Seror,” Postmediamagazine.com, (December, 2000)

Turner, Grady. “Sexually explicit art: not-so-strange bedfellows — art and pornography. get cozy.” Flash Art, vol. 33, no. 212 (May-June 2000): 92-6.

2000

Haden-Guest, Anthony. “She’s All Chat,” Smock Magazine (November, 2000):

100-103 (illust.)

Finch, Charlie. “Mary Boone’s Chelsea Triumph,” artnet.com, (November 15, 2000) (illus.)

Galloway, Munro. Review of Screenlife at Apex Art, Zing Magazine (Autumn 2000): 233

Kelly, Douglas. DKS List,” artnet.com, (September 18, 2000)

Kostbabi, Mark. “Ask Mark Kostabi,” artnet.com, (September 11, 2000)

Henry, Max. “Gotham Dispatch: Black Magic,” artnet.com, (September 22, 2000) (illus.)

“Gallery Focus,” Arconoticias (No.18, September 2000): 72-73 (Spain)

Galloway, Munro. Review of “screenlife: 222” at Apex Art, http://rhizome.org/fresh/ (July 10, 2000)

Finch, Charlie. “Go-gnomes,” artnet.com, (July 6, 2000) (illus.)

Turner, Grady. “Sexually Explicit Art,” Flash Art (May-June 2000): 93-96 (illus.)

Halle, Howard. “Thigh high,” Time Out New York, (May 11-18, 2000): 70

Mahoney, Robert. Review. Time Out New York, (April 27 — May 4, 2000): 70 (illus.)

Hunt, David. “Honcho Featured Artist: Kiki Seror," Honcho Magazine (May 2000), and K48 (November 2000) (illus.)

“Talk of the Town,” The New Yorker, (April 10, 2000): 20

“Short List,” The New Yorker, (March, 2000)

Levin, Kim. “Voice Choices,” The Village Voice, (April 5-11, 2000)

Johnson, Ken. “Weekend: Chelsea,” New York Times, (April 7, 2000)

Robinson, Walter. “Weekend Update,” artnet.com, (March 20, 2000) (illus.)

Nahas, Dominique. “Manly,” Review, (February 15, 2000): 22-24

‘Robinson, Walter. “Everyone at ARCO,” artnet.com, (February 11, 2000) (illus.)

1997

Staff, “The New Chelsea Scene,” Art in America (January, 1997)

1996

Smith, Roberta. “Chelsea’s Work in Progress,” New York Times, (November 29, 1996)

Zacharais, Alfred. “Kiki Seror: Experimente Mit Mitteln Moderner Malerei,” YBBSTAL, No.37 (March 1996): 3

1995

Staff. “Readers Choice,” Chicago Reader (February 3, 1995): 19-20. (illus.)

2005

Not of her body, her thoughts can kill: Kiki Seror 2000-2005. Text by Katarina Gregos, Richard Leydier, and Thomas Peutz. Introduction by Louis Grachos. Santa Fe, New Mexico: SITE Santa Fe, 2005

2003

Kiki Seror, Text by Gianni Romanno. Ozzano Monfoto, Italy: Borromini Arte Contemporanea, 2003

2001

Kiki Seror: Public Seduction. Text by Barbara Steffen and Kiki Seror. Vienna, Austria:

Zürich Kosmos and Sigmund Freud Museum, 2001

2000

222: Two Artists, Two Curators, Two Weeks. Text by Magdalena Sawon. New York:

Apext Art, 2000

Kiki Seror. Text by Rachel Greene and Bennett Simpson. New York: I-20 Gallery, 2000

2006

Jugend von heute/ The Youth of Today (Number 1, April 7 — June 25, 2006) edited by Max Hollein and Matthias Ulrich, Schirn Kunsthalle Frankfurt, Germany, Verlag Der Buchhandlung Walter Konig, 2006

2004

Allure Electronica. Text by Murray Horne. The Wood Street Galleries, Pittsburgh Cultural Trust, Pittsburg, Pennsylvania, 2004

2003

Strangers: The First ICP Triennial of Photography and Video. International Center of Photography, New York. 2003

Luminous Image VI: An Exhibition of Illuminated Photography. Essays from Franc Palaia and Charles Stainback. Collaborative Concepts, Beacon, NY, 2003

2002

Fusion Cuisine. Text by Katerina Gregos, Jo Anna Isaak, Rosa Martinez, Amanda Michalopoulou and Lynne Tillman. Athens, Greece: Deste Foundation for Contemporary Art, 2002

Charley 02. Edited by Maurizio Cattelan, Massimiliano Gioni and Aii Subotnik. Les Presses Du Reel, Dijon, France, 2002. www.charleymagazine.com

Charley 01. Edited by Maurizio Cattelan, Bettina Funcke, Massimiliano Gioni and Ali Subotnik. Les Presses Du Reel/Janvier: FBM Italy, 2002. www.charleymagazine.com

Glow: Aspects of Light in Contemporary American Art. Text by Frances Colpitt. San Antonio, Texas: USTA Art Gallery, The University of Texas at San Antion, 2002

Endure, Text by Thomas Peutz. Amsterdam, The Netherlands: SMART Project Space, 2002

Parole parole parole, Text by Alessandra Borgogelli and Fabio Cavallucci. Trento, Italy: Galleria Civica di arte contemporanea, Biblioteca comunale e Castello del Buonconsiglio, 2002

2001

Media Connection. Text by Gianni Romano, Elena Volpato, Valentina Tanni and Saul Anton. Milan, Italy: Libri Scheiwiller, 2001 Cover design by Kiki Seror

Chelsea Rising. Text by David S. Rubin. New Orleans: Contemporary Arts Center, 2001

Hemorrhaging of States, Text by Theo Tegelaers and Chiara Ennis. Rotterdam, The Netherlands: Tent, 2001

Unexpected Stages of Regression, Text by Gianni Romano. Florence, Italy: Carole Biagiotti Gallery, 2001

2000

Dusk. Text by David Hunt. New York: I-20 Gallery, 2000

Dos Mil Anos Luz (2000 Light). Text by Angel Luis de la Cruz. Canary Islands, Spain:

Instituto Oscar Dominguez De Arte (I.O.C.A.C.), 2000

1999

Thesis Exhibition. Text by Thelma Golden. New York: Columbia University, 1999